Warfare is unlike any war movie ever made.

Directed by Alex Garland and co-directed by Ray Mendoza, 'Warfare' presents a haunting depiction of combat as experienced by Navy SEALs during the Iraq War. Told largely in real-time, the film bridges the gap between dramatic storytelling and documentary realism, offering audiences a visceral encounter with warfare that lacks the usual cinematic embellishments. One of its most striking features is its commitment to authenticity; every moment is derived from first-hand accounts of those involved, a choice that resonates deeply throughout the film. Mendoza, a veteran who lived through the traumatic events rendered on screen, insists that the film is not a pro-war piece, abandoning traditional narratives often found in military films. Instead, it presents an unfiltered portrayal of combat and survival, compelling viewers to confront the grittiness of the soldiers' experiences. The sound design intensifies the immersion, making it impossible for audiences to disengage from the horror of conflict. Critics have noted how the film avoids glorification of violence, steering clear of jingoism while showcasing the fear and chaos of warfare. 'Warfare' is sure to spark discussions regarding the morality of war and the human cost involved. This is a film that pulls no punches, driving home the brutal realities of military life while asking viewers to reflect on the experiences it depicts. It stands not only as a tribute to those who served but also as a stark reminder of the mental and physical toll of war, which may deeply resonate with veterans and civilians alike. The performances, particularly that of D’Pharaoh Woon-A-Tai, enhance this emotional depth, making 'Warfare' not just a film to watch but an experience that lingers long after viewing. The careful crafting of its narrative structure and attention to detail in both visuals and sound makes 'Warfare' a must-see, earning a stellar recommendation as one of the best war films of our time.