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The Ritual: A Rehash of Horror Tropes with Lackluster Execution

Overview of The Ritual

EWTN News, Inc. presents a look at the latest supernatural horror film, The Ritual, directed by David Midell, which is set to open in theaters on June 6. The film recounts the infamous exorcism of Emma Schmidt, a young woman believed to have been possessed for over two decades, marking it as a significant event in U.S. history.

Connection to Past Films

Viewers familiar with William Friedkin’s classic The Exorcist will notice strong parallels with The Ritual. Both narratives share a similar structure, emphasizing the grim conditions surrounding possession and the intense rituals performed by the clergy. Emma Schmidt first exhibited signs of possession at the age of 14, with her torment continuing until her final exorcism at 46. The film is described as an earnest, yet ultimately unoriginal retelling of a harrowing story.

Background of the Possession

Emma's troubled upbringing is reflective of her eventual possession. Raised by an abusive father and influenced by a purportedly witchcraft-practicing aunt, her foundation in her Catholic faith crumbles in her early teens, leading to violent thoughts and a repulsion towards sacred items. Such a poignant background could have provided a deeper exploration into the psychological facets of her condition, but the film opts instead for traditional horror tropes.

Character Dynamics

As the narrative unfolds, audiences are introduced to Father Theophilus Riesinger, deftly portrayed by Al Pacino, and Father Joseph Steiger, played by Dan Stevens. The dynamic between the experienced Riesinger and the skeptical Steiger showcases contrasting beliefs about the power of exorcism. While Riesinger is firmly committed to the rituals, Steiger’s doubts provide a subplot of tension, adding layers to their characters.

Performance Insights

The performance quality, particularly from Pacino and Stevens, is commendable, with both actors bringing a seriousness to their roles as they attempt to liberate Emma from demonic possession. Abigail Cowen's portrayal of Emma is intense, capturing the emotional turmoil she endures through physical transformation. However, despite their efforts, the film’s narrative and direction fail to elevate their performances.

Cinematography and Visual Appeal

Visually, The Ritual struggles with its execution. The use of handheld cameras and shaky visuals detracts from the potential for immersive cinematography. Rather than enhancing the horror, the technique leaves viewers confused and disoriented. Settings that could evoke a sense of dread are inadequately presented, often hindering the viewer's ability to engage with the story.

Target Audience and Reception

As reviews unfold, The Ritual is framed as a film that may appeal to an audience split between fervent believers in the supernatural and those intrigued by psychological horrors. However, its heavy reliance on cliché tropes associated with exorcism films renders it less impactful. It raises a question about who the film is truly meant for — believers, skeptics, or casual horror fans.

Conclusion

While The Ritual attempts to assert a connection to its historical roots, it ultimately delivers a formulaic narrative, entrenched within a subgenre that has often explored similar themes more effectively. As the film prepares for its opening, the collective anticipation seems overshadowed by the overwhelming nostalgia for the original exorcism tale.
Rating: Unrated; likely appropriate for mature teens aged 16 and above.

Bias Analysis

Bias Score:
75/100
Neutral Biased
This news has been analyzed from   22   different sources.
Bias Assessment: The overall account reflects a strong bias against the film, leaning heavily on negative commentary about its execution, performances, and originality. The analysis emphasizes shortcomings rather than merit, suggesting a subjective disappointment with the film's perceived lack of quality in relation to the genre's standards.

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