The creatures of the night, what music they make — especially in Ryan Coogler's haunting but hugely entertaining new vampire horror film, 'Sinners.'

Ryan Coogler’s latest venture, 'Sinners,' a vampire horror film blending elements of music and culture, presents an intriguing narrative set against the backdrop of 1930s Mississippi. The film features Michael B. Jordan in a dual role as twin brothers Smoke and Stack who return home from Chicago to open a juke joint, only to face a terrifying fate when they encounter Remmick, a vampire portrayed by Jack O'Connell. This narrative captures both the supernatural and the stark realities of Jim Crow America, diving into a rich tapestry of blues music intertwined with supernatural lore, particularly reminiscent of the legendary blues musician Robert Johnson’s mythical deal with the devil. As O'Connell takes the stage as the darkly charismatic Remmick, whose Irish roots infuse a unique authenticity, the film sets itself apart with compelling storytelling and dynamic performances. The ambitious project showcases the fusion of genres, challenging traditional horror norms through its thematic depth and cultural resonance. The set design and atmosphere evoke the haunting quality of the Deep South, crafting a chilling yet vibrant portrayal of the time period. O'Connell's preparation for his role involved not only nuanced acting and accent work but also learning to play the banjo and singing traditional Irish folk songs — layers that enrich his character's depth. The creative process under Coogler’s direction seems to have fostered a collaborative environment among the cast, with both O'Connell and Jordan pushing their creative boundaries. The film does not shy away from the horror elements but uses them to explore broader themes of community, identity, and the human experience, presenting a fresh take on vampire lore that could resonate well beyond the horror genre. While O'Connell’s performance has been highlighted, the film as a whole plays nicely into horror conventions while redefining them through its unique premise and cultural references. Ultimately, 'Sinners' aims to not just terrify but also to provoke thought, marking a significant return for Coogler to original screenplay writing since 'Fruitvale Station' and showcasing his versatility as a director. This is a film that could redefine how we perceive horror through a cultural lens, making it a potential highlight for audiences this year.