Stranger Things is happening.

The long-awaited Broadway prequel to Netflix’s successful horror series, "Stranger Things: The First Shadow," has finally made its debut at the Marquis Theatre. This production, directed by Stephen Daldry and co-directed by Justin Martin, presents a maximalist, visually overwhelming experience that dives into the universe of supernatural horror that the show is known for, albeit with mixed results. Opening nearly three years after the idea was first announced and 18 months following its London debut, the play sets itself in a world where nostalgia and horror collide. The narrative kicks off in 1943 with a secret experiment aboard the U.S.S. Eldridge, designed to make the vessel invisible but instead thrusting it into another dimension, possibly hinting at the Duffer Brothers’ knack for genre-bending storytelling. However, critics emphasize that the experience feels less like a coherent play and more of an elaborate theme-park attraction, with effects that, while initially impressive, grow tedious as the performance unfolds. The storytelling largely revolves around Henry Creel, a character who is destined to become the show's primary antagonist. The struggles of Henry’s character development, played by Louis McCartney, are anchored in familiar territory: a tortured childhood leading to dark powers. Critics noted that although the character’s backstory offers potential intrigue, it suffers from predictability and weak plot development, leading to a narrative that feels 'stretched' and lacks depth. With comparisons drawn between similarly styled spinoffs like "Harry Potter and the Cursed Child," reports suggest that while the production shines with its visual spectacles and casts, it ultimately fails to capture the essence of the original series. The writing, credited to Kate Trefry along with the Duffer Brothers, has faced significant criticism for being shallow and lacking in character development. Adam Feldman’s review exemplifies this sentiment, describing the plot as a tedious ‘schlep’ filled with jump scares that overshadow genuine storytelling. Despite these criticisms, there are glimmers of excellence exhibited through powerful performances, particularly that of McCartney, whose portrayal is riveting even under the constraints of a subpar script. The juxtaposition of him finding an emotional depth amidst the surrounding theatrics resonates with the audience, highlighting a potential breakout talent. In conclusion, while "Stranger Things: The First Shadow" certainly delivers on spectacular visuals and high-budget production value, its reliance on nostalgia without substantial storytelling may leave audiences yearning for something deeper. The overarching feeling from the reviews points to a thrilling ride that falters in its substance, ultimately failing to capture what made the original series a cultural phenomenon.