Sarah Jessica Parker and Matthew Broderick Attend Broadway Opening of Smash

On April 10, Broadway's newest musical adaptation, 'Smash,' celebrated its opening night, and leading the star-studded procession were legendary actors Sarah Jessica Parker and Matthew Broderick. The couple, known for their 28-year marriage, took the red carpet at the Imperial Theatre alongside their 13-year-old twin daughters, Tabitha Hodge and Marion Loretta Elwell, all dressed elegantly for the occasion. Parker donned a chic all-black ensemble while Broderick complemented her style in a dapper blue suit. This event marks a significant return to theatrical celebration for the couple who have been vocal supporters of the 'Smash' franchise since its premiere on NBC in 2012. The musical 'Smash' is based on the NBC series which delved into the intricate world of Broadway through a fictionalized bio-musical about Marilyn Monroe called 'Bombshell.' The show features a score created by the award-winning duo Marc Shaiman and Scott Wittman. Interestingly, the original songs like 'Let Me Be Your Star' were carried over as part of this new production, which attempts to weave them into a compelling narrative crafted by Rick Elice and Bob Martin. This latest version, however, faces some pressing critiques regarding its execution. As detailed by various reviews, such as Adam Feldman’s analysis in Time Out, the production finds itself engulfed in a haze of metatheatricality and self-awareness that could either be perceived as clever commentary or a lack of coherence. Parker and Broderick's participation not only garners public interest but also highlights the show's longstanding connections within Broadway history. The production's dynamic cast includes actors like Robyn Hurder and Brooks Ashmanskas, who contribute to the ambitious yet complicated storytelling framework. Despite the mixed reviews about the show's content and overall production value, the debut of 'Smash' on Broadway clearly leverages the familiarity and nostalgia of its predecessors while trying to carve out its place in contemporary musical theater.