Exploring the Unconventional Film "Nouvelle Vague"
Richard Linklater's latest endeavor, "Nouvelle Vague," is a film that defies typical categorization in the cinematic landscape. Unlike conventional offerings such as prequels, sequels, or remakes — and notably distinct from Jean-Luc Godard's landmark film "Breathless" — this project is neither a documentary nor based on any pre-existing intellectual property. Instead, it draws inspiration from the 1950s French New Wave, capturing a vibrant filmic moment with an innovative lens.
The pursuit of authenticity in this film is profound. Linklater sought to recreate the atmosphere of the 1959 filming of "Breathless" on the streets of Paris, employing French language, black and white visuals, the Academy aspect ratio, and the 35mm filmmaking style characteristic of that era. His choice to use a cast of lesser-known actors who evoke the personas of their characters adds to the film's unique identity. Rather than aiming for profound myth-making, Linklater likens his film to a "light and tasty soufflé" that captures the radical rule-breaking spirit that characterized Godard's original production, which was executed with remarkable speed and spontaneity.
As the film finds itself showcased at the prestigious Cannes Competition, there’s a palpable buzz regarding its reception. For Linklater, this is a return to a competitive stage after his previous entry with "Fast Food Nation," putting additional pressure on hopes for a favorable reception and potential distribution. During an insightful rooftop interview at the J.W. Marriott hotel, Linklater expressed an aspiration for the film to resonate with younger audiences — the so-called "Letterboxd generation" — many of whom frequent his Austin Film Society.
Behind the Scenes: Crafting a Cinematic Experience
Linklater reflects on the challenges of conveying a seemingly effortless tone amid considerable work. He draws parallels to jazz musicians and actors touting their improvisational prowess, emphasizing the unseen labor that informs a convincing portrayal of creativity. Extensive documentation and visual references from the original film aided his creative process.
In addressing the need for authenticity in location, Linklater navigated the transformed Paris landscape, using a clever blend of real and modified settings to maintain visual continuity with the original film. Adapting the 35mm camera style characteristic of early New Wave cinema was essential, driving the deliberate choice of aesthetic details such as handheld shooting, deliberate overexposure, and natural lighting, all contributing to a nostalgic lens through which modern viewers can experience a classic cinematic era.
Reflections on Directing and Collaborating
Linklater parallels his own beginnings in filmmaking with Godard’s early works. He empathizes with the uncertainty internalized by young directors and articulates the psychological hurdles that emerge when venturing into uncharted creative territories. In seeking collaboration, Linklater enlisted French partners Michele and Laurent Pétin, who understood and supported his vision, opting for fresh faces over established stars, echoing a commitment to authenticity in casting.
The chemistry displayed between the actors, capturing the essence of Jean Seberg and Jean-Paul Belmondo, was foundational to the film's success. Linklater shared anecdotes from the editing process, revealing how he became so immersed in the dynamic performances that he momentarily lost sight of the original actors' identities.
Credit Where It's Due: Acknowledging Contributions
Writing credits go to longtime friends Holly Gent and Vince Palmo, whose dedication spans over a decade, leading to a natural and fluid collaboration. Financial hurdles were tackled creatively, with notable support from Chanel, which provided authentic period attire that added depth to the production.
A Unique Rendering of Character Identities
In a nod to inclusive storytelling, Linklater's decision to use subtitle IDs for all characters elevates their presence, ensuring that every individual, whether well-known or not, is afforded equal status in the narrative. This approach decreases the gap between revered figures of the cinema and newcomers alike.
Ultimately, "Nouvelle Vague" aspires to encapsulate the joyous and carefree ethos of the original New Wave movement. Linklater invites viewers along for a celebratory reunion of youthful creativity and exuberance. The final message to the cast was clear: joy is paramount. If they were not having fun, it undermined the film's very spirit.
Looking Forward: A Broader Cinema Journey
Linklater's collaboration with Zoey Deutch dates back to his 2016 film, “Everybody Wants Some!!,” when he envisioned her as Jean Seberg. With deliberate pacing, Linklater navigated the lengthy production timeline of 13 years, largely due to other commitments and life events.
As a poignant reflection on legacy, Linklater has recently embarked on adapting Stephen Sondheim’s 1981 musical "Merrily We Roll Along," casting actors who will age through different stages while shooting over several years, presenting an intriguing narrative that unfolds backwards in time. With "Nouvelle Vague" already premiering at the 2025 Cannes Film Festival and actively seeking U.S. distribution, Linklater's affectionate tribute to cinema continues to evolve, demonstrating the lasting power of storytelling across generations.
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