Patrick Bateman is no role model, warns 'American Psycho' director Mary Harron

In a recent interview commemorating the 25th anniversary of 'American Psycho,' director Mary Harron expressed her bewilderment at the social media fandom surrounding the character of Patrick Bateman, portrayed by Christian Bale. Harron pointed out that both she and co-writer Guinevere Turner had intended the film as a satirical critique of 1980s greed and toxic masculinity, not a celebration of its protagonist. Bateman, a wealthy investment banker and serial killer, has surprisingly become a figure admired by some young men, particularly in Wall Street culture, which Harron called 'mystifying.' Harron acknowledged the role of modern social media platforms like TikTok in elevating Bateman's image, focusing on his attractiveness and wealth rather than the absurdity and grotesqueness of his character. She highlighted the irony of Bateman being embraced by those who seem to miss the film's satirical intent, stating, 'Christian's very clearly making fun of them.' Moreover, Harron cast a critical eye on the current societal context, suggesting that the predatory behaviors depicted in the film are perhaps even more pronounced today than when it was released. The stark divide between the rich and poor has grown more evident, and elements of racism and classism have been more openly celebrated in contemporary politics. Harron believes that spectator interpretations of media can sometimes stray far from the creator's intentions, stating, ‘People read the Bible and decide that they should go and kill a lot of people.’ The direness of the social landscape raises questions about the messages popular culture perpetuates and the characters that resonate with the audience today. As we reflect on the legacy of 'American Psycho,' Harron's insights remind us that literature and films can offer critical commentaries on society - warnings that may be easily overlooked in a culture eager to lionize its antiheroes. With a potential new adaptation of 'American Psycho' in the works under director Luca Guadagnino and the intriguing casting of Austin Butler, it remains to be seen how this essential commentary on masculinity and capitalism will be interpreted anew. Harron's original work, though often misread, serves as a foundational critique, raising vital discussions on the heroism of villains in popular narratives and the societal structures that valorize them.