Oscar-winning film Conclave explores the political intricacies of papal elections

The recent Oscar-winning film Conclave unveils the complex political structure and voting processes within the Catholic Church as the College of Cardinals convenes to elect a new pope. Adapted from Robert Harris's novel, the film strives for authenticity, particularly in depicting the traditional methods involved in the papal conclave, with Rev. Thomas Reese from Religion News Service affirming the accuracy of the voting procedures showcased in the film. He commended the realistic presentation of the urns and the burning of ballots but critiqued some inaccuracies, particularly regarding Cardinal Vincent Benitez's portrayal. The film's narrative sheds light on the rigorous, no-external-contact rule governing the Cardinals until a two-thirds majority is reached. One of the film's compelling aspects is its representation of female characters, notably the nuns managing the Casa Santa Marta, where the Cardinals reside. According to Caetlin Benson-Allott, a Film and Media Studies professor at Georgetown University, this portrayal challenges traditional gender roles within the Church while echoing historical grievances of female exploitation. The character of Sister Agnes is shown as a supportive figure to another nun who navigated a controversial past with one of the papal contenders, reflecting a push for more active roles for women in the Church. The character arc of Cardinal Benitez, who identifies as intersex, adds another layer of complexity, symbolizing a potential shift towards progressiveness within the Church's structure. Similarly, Cardinals Lawrence and Bellini embody the struggle between tradition and modernity, though they ultimately do not secure the papacy. Sister Susan Francois, from the Sisters of St. Joseph of Peace, articulated the human elements injected into the spiritual discernment process, emphasizing the inherent conflicts and concerns of the Cardinals. The dialogue surrounding the movie highlights the nuanced tensions within a divine institution. While the film appeals to viewers with its dramatic depiction, it invites critical reflections on the intersection of faith, politics, and gender, creating fertile ground for conversations about the role of the Church in contemporary society and the ongoing need for reform.