Saved articles

You have not yet added any article to your bookmarks!

Browse articles
Newsletter image

Subscribe to the Newsletter

Join 10k+ people to get notified about new posts, news and tips.

Do not worry we don't spam!

GDPR Compliance

We use cookies to ensure you get the best experience on our website. By continuing to use our site, you accept our use of cookies, Cookie Policy, Privacy Policy, and Terms of Service.

Matt Dillon Cast as Marlon Brando in 'Being Maria,' Exploring the Dark Legacy of 'Last Tango in Paris'

Matt Dillon takes on a unique acting challenge by portraying the iconic Marlon Brando in the new biopic 'Being Maria,' focusing on the experiences of Maria Schneider during the making of 'Last Tango in Paris.' Dillon's portrayal is nuanced, avoiding mere imitation while delving into Brando's complex character during the controversial film scenes, including the infamous 'butter scene.' The film highlights the abuse Maria Schneider endured from director Bernardo Bertolucci and Brando, leading to long-lasting trauma and addiction. Dillon's career reflects his versatility, from his early brooding roles to his comedic prowess in 'There’s Something About Mary' and gritty performances in indie films. The actor's insight into Brando and method acting reveals a deep respect and understanding of the emotional turmoil both he and Schneider experienced on set. Dillon emphasizes the critical role of intimacy coordinators, now commonplace in addressing and safeguarding actors' emotional well-being in sensitive scenes. The film 'Being Maria' serves not only as a tribute to Schneider's life but also as a poignant commentary on the ethical boundaries crossed in the pursuit of art. Dillon recognizes the film’s importance in giving Maria a posthumous voice, shedding light on her struggles and resilience amid a male-dominated industry. The revival of Dillon's films on platforms like Criterion indicates a renewed interest in authentic storytelling and character development, drawing parallels with the timeless allure of Brando's work.

Bias Analysis

Bias Score:
25/100
Neutral Biased
This news has been analyzed from  10  different sources.
Bias Assessment: The article maintains a largely balanced perspective, exploring both Dillon's admiration for Brando and the ethical controversies surrounding 'Last Tango in Paris.' It emphasizes Maria Schneider's victimization, providing well-rounded insights into historical and contemporary industry practices. However, the narrative slightly leans toward portraying Marlon Brando's and Bertolucci's controversial actions in a more favorable light by focusing on their artistic intentions, which increases the bias score slightly.

Key Questions About This Article

Think and Consider

Related to this topic: