David Cronenberg never planned to become an adjective. But now that he is one, he’s happy to claim it.

In a recent interview, legendary filmmaker David Cronenberg shared his thoughts on being referred to as 'Cronenbergian'—a term indicating a distinctive cinematic sensibility that blends intellectualism with visceral horror. At 82, Cronenberg reflected on his extensive career in film, which spans over 50 years and includes cult classics like 'The Fly' and 'Videodrome.' While his works have often been positioned on the fringes of mainstream cinema, they have gradually infiltrated popular culture, influencing emerging filmmakers and resonating with contemporary audiences who experience a world increasingly uncanny and mirrored in his plots. His new film, 'The Shrouds,' is a deeply personal exploration of grief following the death of his wife, Carolyn, in 2017. The film's protagonist, Karsh, navigates the complicated terrain of loss and obsession, echoing Cronenberg's own feelings of sorrow that bridge both the physical and emotional realms. Though many see his work as macabre, Cronenberg himself insists on the absurd humor inherent in life, suggesting that his films invite both laughter and introspection. He also addresses contemporary societal issues, hinting that his themes of body horror find new life amid today's technological anxieties, including critiques on figures like Donald Trump. Ultimately, Cronenberg's reflections position him as both a harbinger of artistic commentary and a creator navigating the personal and public facets of human experience. The conversation raises important questions about the relevance of art in processing grief and the changing dynamics of cinematic storytelling in a rapidly evolving cultural landscape.